[120][121] Author Peter Lavezzoli writes that, with the success of the live album and Saul Swimmer's concert documentary, which opened in US cinemas in March 1972,[122] Indian classical music reached its largest Western audience to date through the Concert for Bangladesh. Genres: Folk Rock, Rock. Read more. Some of stills photographer Barry Feinstein 's shots from the 1971 concerts were used on the covers of subsequent albums by the participating artists, notably the compilations Bob Dylan's Greatest Hits Vol. [128] Although the project was due for release the following year,[129] the new editions were not made available until 24 October 2005. View Lesson. Anno 2009 Tracks 8; The Beatles Box Set. "Can all this be happening?" II. [124] It was presented as a two-disc set, with significant editing of the breaks between songs. The Concert for Bangladesh è un triplo album ricavato dal concerto di beneficenza per il Bangladesh, tenutosi al Madison Square Garden di New York il 1º agosto 1971. The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) [1] is a live triple album credited to "George Harrison & Friends" [2] [3] and released on Apple Records in December 1971 in America and January 1972 in Britain. [33][34] In their book Eight Arms to Hold You, Chip Madinger and Mark Easter question the extent of Spector's involvement, citing Harrison's subsequent lauding of Kellgren's role in "capturing the performances" on 1 August, as well as the fact that Spector was "in and out of hospital" during this time,[25] similar to his erratic attendance at the All Things Must Pass sessions in 1970. [153] Author Tom Moon describes their interplay as two guitarists "finish[ing] each other's thoughts". Concert For Bangladesh. Concert for Bangladesh album cover . 1,942 likes. £16.15. [97], The booklet's back-cover picture showed an open guitar case filled with food and medical supplies, below a copy of the cheque for the Madison Square Garden box-office takings. [52] Some retailers responded with "shameless price gouging" on the three-record set,[87] apparently at Capitol's recommendation. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. Don't buy a bootleg! Descrizione. I always imagined what it … [66] Although none of these royalties went to the artist,[66] Dylan and his record company were already benefiting from the exposure provided by the Bangladesh concerts, through the timely release of Bob Dylan's Greatest Hits Vol. £13.95 postage. [53] The second show was preferred when it came to selecting the best concert audio. Vladimir Bogdanov, Chris Woodstra & Stephen Thomas Erlewine (eds), This page was last edited on 12 January 2021, at 04:50. £14.90 postage. The Concert for Bangladesh, a Various Artists Album. Related Lessons. [170], The Concert for Bangladesh is continually viewed in a highly favourable light by critics in retrospective reviews. [13] The shows marked the first time that Harrison and Ringo Starr had performed on stage together since the Beatles quit touring in 1966; since then, they, like Bob Dylan, had been mostly unavailable to concert audiences. [156][166][nb 9] In his review for AllMusic in 2001, Bruce Eder noted the "less-than-perfect sound" while still viewing the album as a "unique live document showcasing Harrison near his best". [50] According to Madinger and Easter, he took early mixes of the concert tapes to Dylan for the latter's approval. "[142], Rolling Stone magazine continued its near-deification of the event as a defining moment in the evolution of rock 'n' roll,[143][144] with Jon Landau declaring, "The Concert for Bangla Desh is rock reaching for its manhood." [53] In their joint interview for the 2005 Concert for Bangladesh Revisited documentary, Kinney and Mitchell confirm that music from both the afternoon (matinee) and evening performances was used for the concert film and live album; they also state that Spector repeatedly instructed them to increase the volume of the audience in the mixes, in a search for more "feel of the room" in the end result. The Concert for Bangladesh – originally titled The Concert for Bangla Desh – is a live triple album by George Harrison and celebrity friends, released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the The shows were a pioneering charity event, in aid of the homeless – George Harrison to Musician magazine, November 1987, While in Los Angeles in June 1971, and after being made aware of the gravity of the situation in what was then known as East Pakistan by friend and musician Ravi Shankar,[5] George Harrison set about organising two fundraising concerts at Madison Square Garden, New York, to aid the war-ravaged and disaster-stricken country. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Concert for Bangladesh album cover. [115] On the other US charts, compiled by Cash Box and Record World, the live album peaked at number 2 and number 1, respectively. [23] With concert recording having been carried out at Madison Square Garden by Gary Kellgren,[24] using the Record Plant's 16-track mobile unit,[25] Harrison intended to raise significantly more money via a live album of the event, to be issued on the Beatles' Apple Records label,[26] followed by Apple Films' concert documentary, also to be titled The Concert for Bangladesh. "[172], In his entry for the album in 1,000 Recordings to Hear Before You Die, Tom Moon advises his readers: "Pull this out whenever your faith in the power of music begins to wane. Charles Shaar Murray, "George Harrison et al: Mark Wallgren, "Awaiting on you all – George Harrison reissue update", Kevin Howlett's liner notes, booklet accompanying. GEORGE HARRISON & OTHERS: the concert for bangla desh APPLE 12" LP. The Concert for Bangladesh was the first benefit concert of its kind in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause-setting the precedent that music could be used to serve a higher purpose. [52][63] Another stumbling block was Capitol's insistence that they receive monetary compensation, thought to be around $400,000,[64] for what the company perceived to be vast production and distribution costs for the boxed three-record set. [97], The three vinyl LPs and booklet were housed inside a deep orange-coloured box. 10: Another Self Portrait (1969–1971). [31][72][nb 5] In January 1972, Melody Maker's Richard Williams remarked in his Concert for Bangladesh album review: "Between them, Capitol and CBS have proved that, when it comes to awareness and enlightenment, the business is still several years behind the musicians. [141], "If you buy only one LP in 1972, make it this one," Richard Williams wrote in Melody Maker,[86] echoing the goodwill felt throughout the music press towards the Bangladesh relief project. This compilation, sporting a cover photo of Dylan taken from the concert. The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan's first major concert appearance in the US in five years. Timothy White, "George Harrison: Reconsidered", Interviews with Kofi Annan and Charles J. Lyons, in, Interview with Norman Kinney and Steve Mitchell, in. [12][40][41] In his review of the Concert for Bangladesh film for NME, John Pidgeon described the scene as "a roadie's nightmare of instruments, mikes, amps and speakers". [38] The large ensemble consisted of two drummers (Ringo Starr and Jim Keltner), two keyboard players (Billy Preston and Leon Russell), six horn players (led by Jim Horn), three electric guitarists (Harrison, Eric Clapton and Jesse Ed Davis), a trio of acoustic guitars to be "felt but not heard"[39] (Badfinger's Pete Ham, Tom Evans and Joey Molland), the seven members of Don Nix's "Soul Choir", together with bassist Klaus Voormann and a dedicated percussion player, Mike Gibbins of Badfinger. [62][66] Of all the labels involved, only Columbia would make any money from The Concert for Bangladesh – 25 cents on every copy sold. Sitemap. [156] Another point of contention, though mainly among Harrison's biographers, concerns Leon Russell. Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. [64] Harrison was on the program to promote the Raga documentary with Shankar,[75] but after making a surprise guest performance with Gary Wright's new band Wonderwheel, he launched into a complaint about his US record company's interference and threatened to take the whole album package to Columbia. The Concert For Bangladesh is the first live album by George Harrison. Protest as Event. It was released in 1971. [117], In March 1973, The Concert for Bangladesh's significance was further underlined when it won the Grammy Award for Album of the Year. On release, The Concert for Bangladesh was a major critical and commercial success. But I loved the album nevertheless. [6] In the middle of these hurried preparations,[7] he composed the song "Bangla Desh" in order to call further attention to the Bengalis' cause, and rush-released it as a charity single four days before the shows. that I had in my vinyl three album set. With George Harrison, Bob Dylan, Ravi Shankar, Ringo Starr. [52] Following the protracted negotiations surrounding the live album's distribution, Harrison's disaffection with EMI/Capitol was a key factor behind his signing with A&M Records in January 1976. [77][nb 4] Of the other featured artists at the Concert for Bangladesh, the careers of both Preston (A&M Records) and Russell (Shelter) likewise prospered as a result of their participation,[80] but their record companies imposed no such conditions on Apple and Capitol. [29] Although this estimate would turn out to be highly optimistic,[25] the following year, in an effort to foil concert bootleggers, Elvis Presley succeeded in delivering a live album just eight days after his own, much-publicised Madison Square Garden shows. Discover releases, reviews, songs, credits, and more about The Concert For Bangla Desh at Discogs. I mean, I'll just put it out with CBS and, you know, Bhaskar will have to sue me. [25][nb 2] Of all the featured performers, only Leon Russell chose to intervene, necessitating a reworking of his "Jumpin' Jack Flash/Youngblood" medley,[25] which he apparently remixed himself. [27], During his and Shankar's press conference in New York on 27 July,[28] Harrison had stated that a live album might be ready for release within ten days of the shows. [25] In addition, it is possible that Shankar and Khan's "Bangla Dhun" was severely edited down:[52] Harrison later described their set as having lasted 45 minutes, yet the running time on the album is under 17 minutes and in the film just 15 minutes. [15][21] Williams lavished praise on every one of the triple album's seventeen selections: Ravi Shankar and Ali Akbar Khan's interplay towards the end of "Bangla Dhun" made for a "marvellous opening" (like "Charlie Parker trading licks with Johnny Hodges", he noted); Harrison's trio of All Things Must Pass tracks were "[u]nbelievably ... in some ways even better" than the originals, with Ringo Starr and Jim Keltner's drumming "just breathtaking" on "Awaiting on You All"; Billy Preston's "That's the Way God Planned It" was "feverishly exciting", the audience "absolutely wild" by the end of the song. [136][nb 8], Sales of the album and DVD continue to benefit the George Harrison Fund for UNICEF. I serched for this record in Germany,never found it,so i asked my family across the ocean,and I got my copy from a Great Lady that worked in U.N.at the time.God bless her soul. The Concert For Bangladesh Original Album 1971 Complete 3 … About The Concert for Bangladesh [DVD] The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) is a live triple album credited to "George Harrison & Friends" and released on Apple Records in December 1971 in America and January 1972 in Britain. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. [116] The album was certified gold by the RIAA on 4 January 1972 for sales of over 500,000 units. [46][47][nb 1], With ongoing friendships a priority,[49] Harrison had promised the main participants that, should things turn out badly on 1 August, they could be excluded from any album or film release. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, Vol. [77], Despite the cost, the album was an immediate commercial success. Just noticed that the after side 6 ends the record goes quiet for about 10 seconds than Ravi says something in his dialect that is a few words - does anyone know what he says? [2] The retail price for the lavishly packaged triple album was set at $12.98 in America[52] and an extraordinarily high £5.50 in the UK,[61] due to the purchase tax surcharge there. Co-prodotto da Phil Spector con la sua … [51] Post-production on the Madison Square Garden recordings was minimal, the known examples being Harrison's double-tracked lead vocal on the bridges of "While My Guitar Gently Weeps", and a composite edit of his opening song, "Wah-Wah", which was assembled from both the shows. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. "[32] Rather than a standard band, this was a full Wall of Sound orchestra,[15][37] as Spector re-created his Wall of Sound approach in concert. THE CONCERT FOR BANGLADESH album 3xLP Bob Dylan, G.Harrison, Leon Russell Rock. [86], "While My Guitar Gently Weeps" was a track that received significant attention, thanks to the guitar "duelling" between Harrison and his ailing friend, Eric Clapton. [45] An additional challenge for Kellgren had been the need to capture the dynamics of a well-paced show designed around professionally presented hit songs, rather than a loose superstar jam. This edit on "Wah-Wah" is more noticeable in the. Only 2 left. [31][54] The exceptions are as follows: "Wah-Wah", which starts off with the evening version but cuts to the matinee at 2:53;[nb 3] Harrison's band introduction and "While My Guitar Gently Weeps", both sourced from the first show; and Russell's medley, which is also from the matinee on the album, but in the concert film, the audio cuts to the evening show during "Youngblood". 2 people found this helpful. Concert for Bangladesh album cover. [14][15] In Dylan's case, it was his first appearance at a major US concert in five years,[16] although his participation had been uncertain until he walked on for his segment midway through the afternoon show. [25][55], Harrison's geniality as a host was well represented on the recordings. In emphasizing the concert's idealism, however, it's easy to overlook what a musical gem this two-disc set is. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS. Related People. from Retazovvorks Plus . In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall, Vol. [169] In The Rolling Stone Album Guide (1992), Paul Evans gave the record three stars and preferred the Dylan set over Harrison's songs. It was reissued in 2005, four years after Harrison's death, with revised artwork. She added that he had then contacted Spector, who supplied the correct version. Geoffrey Cannon, "George Harrison & Friends: Paul Du Noyer, "Back Catalogue: George Harrison", John Bauldie, "Re-releases: Various Artists. The Concert for Bangladesh – originally titled The Concert for Bangla Desh – is a Apple Records in December 1971 in America and January 1972 in Britain. [92] Also used as the Concert for Bangladesh movie poster, the album-cover photograph – the "haunting" image of a malnourished young child sitting naked behind a wide, empty food bowl, author Bruce Spizer writes[92] – was a still taken from news agency film footage and airbrushed extensively by Wilkes. George had been busy working on the release of the Concert for Bangladesh album and film and so he did not start work on his follow up to All Things Must Pass until midway through 1972. While promoting the release in October 2005, Olivia said that part of the reason for the reissue not taking place in 2001 was that Harrison had been sent the wrong master tapes to work on. The Concert For Bangladesh 1971, New York, NY. As for Harrison, "the spirit he creates through his own demeanor is inspirational. Although the cover art has been changed to a picture of Harrison, the original iconic image of a sad-eyed child remains prominent in the CD and DVD packaging. He put it together; and he pulled it off, and for that he deserves the admiration of all of us. I'd rehearsed. [70] At this time, with concert bootlegs now on the market,[52][61] posters were placed in record shops bearing the slogan: "Save a starving child. [80] The album was remastered for this release, with the heavily revised packaging credited to Wherefore Art?,[130] and the addition of Dylan's afternoon-show performance of "Love Minus Zero/No Limit"[131] as a bonus track. [125] Having stated his disappointment in a 1988 interview that the album had been allowed to go out of print,[126] Harrison recorded a promotional interview on the 20th anniversary of the concerts, to accompany the CD release. Alan Clayson bristles at the omnipresence of the Oklahoman singer and musician – "the epitome of the self-satisfied sexism of the Delaney and Bonnie super-sidemen", Clayson writes – and the fact that his turn in the spotlight so blatantly became "The Leon Russell Show". [67] There he attended the re-opening of Apple Studio on 30 September[68] and produced new signing Lon & Derrek Van Eaton's debut single,[69] as well as enduring a fruitless meeting with the British Treasury's financial secretary – the latter activity in an attempt to have the government waive its standard purchase tax, and so keep the album affordable to record-buyers. This autograph is Shop Vinyl and CDs and complete your collection. I wasn't there I was 11 at the time of this concert. As with previous versions of The Concert for Bangladesh, all artist royalties go to UNICEF or, as Harrison notes in his band introduction, "Nobody's gettin' paid for anything." Nigel Williamson, "All Things Must Pass: George Harrison's post-Beatles solo albums, The Mojo Collection: The Greatest Albums of All Time, It Takes a Lot to Laugh, It Takes a Train to Cry, "Billboard Top LP's, for Week Ending Jan. 22, 1972", "George Harrison's Concert for Bangladesh", "Fresh From Apple: Lon & Derrek Van Eaton", "George Harrison on The Dick Cavett Show, 1971, Full Interview", "Various – The Concert For Bangla Desh (Vinyl, LP, Album)", "Various – The Concert For Bangladesh (CD, Album)", Amazon listing: "The Concert for Bangladesh (Limited Deluxe Edition) (2005)", "Year End Charts – Year end Albums (1972)", "Concert for Bangladesh Revisited with George Harrison and Friends (2005) – Full cast and crew", "The George Harrison Fund for UNICEF asks 'Help us save some lives': Concert for Bangladesh 40th Anniversary", "Concert for Bangladesh 40th Anniversary & UNICEF Month of Giving", "UNICEF's Month of Giving raises more than USD $1 million", Christgau's Record Guide: Rock Albums of the Seventies, "Harrison and Shankar's 'Concert For Bangladesh' Goes Digital", "Go-Set Australian charts – 25 March 1972", "George Harrison & Friends – The Concert for Bangladesh", "Hit Parade Italia – Gli album più venduti del 1972", "Swedish Charts 1969–1972/Kvällstoppen – Listresultaten vecka för vecka" > Februari 1972 > 15 Februari, "George Harrison & Friends: The Concert for Bangladesh", "ジョージ・ハリスン-リリース-ORICON STYLE-ミュージック – Highest position and charting weeks of, "Catalog Albums: Week of November 12, 2005", "American album certifications – George Harrison – Concert for BanglaDesh", Recording Industry Association of America, The Concert for Bangladesh Revisited with George Harrison and Friends, George Harrison: Living in the Material World, Songs from the Material World: A Tribute to George Harrison, Harrison on Harrison: Jazz Explorations of George Harrison, India's Most Distinguished Musician in Concert, Live: Ravi Shankar at the Monterey International Pop Festival, Live 1961–2000: Thirty-Nine Years of Great Concert Performances, Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings, Bob Dylan: The Complete Album Collection Vol. Autograph is the Concert tapes to Dylan for the refugees of Bangladesh of 1971 war 50 ] According to and... `` a Big Hand for the refugees of Bangladesh of 1971 war Camouflage 's design concept occurred the. 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